{"id":81536,"date":"2023-10-17T03:01:10","date_gmt":"2023-10-17T01:01:10","guid":{"rendered":"https:\/\/blog.bluebeam.com\/se\/?p=81536"},"modified":"2024-03-25T09:52:27","modified_gmt":"2024-03-25T08:52:27","slug":"sense-and-sensibility-how-architects-are-designing-with-sensory-needs-in-mind","status":"publish","type":"post","link":"https:\/\/blog.bluebeam.com\/se\/sense-and-sensibility-how-architects-are-designing-with-sensory-needs-in-mind\/","title":{"rendered":"F\u00f6rnuft och k\u00e4nsla: s\u00e5 designar arkitekter med sensoriska behov i \u00e5tanke"},"content":{"rendered":"\n

Designa byggnader som sensoriska utrymmen<\/h2>\n\n\n\n

Vi vill alla bo och arbeta i milj\u00f6er som f\u00e5r oss att trivas och m\u00e5 b\u00e4ttre. En bekv\u00e4m bostad eller arbetsplats med ett trevligt l\u00e4ge, kanske med gr\u00f6nomr\u00e5den i n\u00e4rheten. <\/p>\n\n\n\n

Enligt en grupp som arbetar med inkluderande design, Neuro by Design<\/a>, kan en avslappnande st\u00e4mning p\u00e5 arbetsplatsen \u00f6ka v\u00e4lbefinnandet och h\u00f6ja produktiviteten med omkring 25 %. \u201dInkluderande design som f\u00f6ljer biofila designprinciper kan dramatiskt h\u00f6ja produktiviteten och minska sjukfr\u00e5nvaron p\u00e5 en arbetsplats\u201d, till\u00e4gger gruppen.<\/p>\n\n\n\n

Den brittiska regeringen har p\u00e5 senare \u00e5r satsat mycket p\u00e5 att skapa en b\u00e4ttre byggd milj\u00f6, och har tagit fram en strategi som bland annat omfattar bildandet av en kommission<\/a> som ska utreda hur man kan \u201dfr\u00e4mja b\u00e4ttre design och utformning av bost\u00e4der, byar, st\u00e4der och huvudgator\u201d.<\/p>\n\n\n\n

Medan en byggnads visuella f\u00f6rdelar \u2013 eller avsaknad av s\u00e5dana \u2013 ofta skapar debatt, kan vi kanske vara lite mer eniga kring hur en byggnad f\u00e5r oss att \u201dk\u00e4nna oss\u201d \u2013 hur v\u00e5ra sinnen reagerar p\u00e5 v\u00e5r omgivning. Fr\u00e5gan om inv\u00e5narnas v\u00e4lm\u00e5ende har lyfts p\u00e5 senare \u00e5r, och faktorer som termisk komfort och tillg\u00e5ngen p\u00e5 naturligt ljus har etablerat sig som viktiga f\u00f6r designers och utvecklare.<\/p>\n\n\n\n

Vad \u00e4r sensorisk arkitektur?<\/h2>\n\n\n\n

Sensorisk arkitektur handlar om att designa med m\u00e4nniskors v\u00e4lbefinnande och olika sinnen \u2013 ber\u00f6ring, syn, ljud, lukt, k\u00e4nslighet f\u00f6r ljus och m\u00f6rker osv. \u2013 i \u00e5tanke. <\/p>\n\n\n\n

I en artikel<\/a> med titeln Senses of Place: Architectural Design for the Multisensory Mind h\u00e4vdar Charles Spence vid institutionen f\u00f6r experimentell psykologi inom det tv\u00e4rvetenskapliga forskningslaboratoriet p\u00e5 Oxford University att de m\u00e4nskliga sinnena spelar en viktig roll n\u00e4r det g\u00e4ller att utveckla nya syns\u00e4tt kring hur man designar byggnader.<\/p>\n\n\n\n

Charles Spence menar att \u00e4ven om arkitekturen \u201dtraditionellt har dominerats av \u00f6gat\/synen har ett v\u00e4xande antal arkitekter och designers under de senaste \u00e5rtiondena b\u00f6rjat fundera p\u00e5 vilken roll som spelas av \u00f6vriga sinnen, det vill s\u00e4ga ljud, ber\u00f6ring, doft och i s\u00e4llsynta fall \u00e4ven smak\u201d. <\/p>\n\n\n\n

Enligt arkitekten Richa Malhotra<\/a> kan arkitekturen genom att h\u00e5lla stimuleringen av samtliga sinnesorgan i \u00e5tanke \u201dst\u00e4rka ett utrymme och skapa harmoni mellan milj\u00f6 och anv\u00e4ndare\u201d. Hon forts\u00e4tter: \u201dSensorisk design \u00e4r en kombination av m\u00e4nsklig perception, minne och fantasi i syfte att ge erk\u00e4nnande till utrymmets utformning och upplevelsen av det.\u201d <\/p>\n\n\n\n

Enligt Sensory One<\/a>, en designgrupp som specialiserar sig p\u00e5 sensoriska utrymmen och interi\u00f6rer, blir det allt vanligare att ta h\u00e4nsyn till s\u00e5dana sensoriska behov n\u00e4r man designar offentliga utrymmen.<\/p>\n\n\n\n

Skolor och v\u00e5rdinr\u00e4ttningar kan gynnas av att man utformar dem med sensoriska \u00f6verv\u00e4ganden i \u00e5tanke, s\u00e4ger gruppen. Exempel p\u00e5 det kan vara \u201dlugna rum\u201d, m\u00f6rka rum, interaktiva omr\u00e5den och tr\u00e4dg\u00e5rdsutrymmen, med sensorisk utrustning som bidrar till att \u00f6ka inv\u00e5narnas v\u00e4lbefinnande.<\/p>\n\n\n\n

Den sensoriska arkitekturens historiska influenser<\/h2>\n\n\n\n

Liksom m\u00e5nga andra kreativa r\u00f6relser s\u00e4gs den sensoriska arkitekturen ha sina r\u00f6tter hos konstn\u00e4rer som verkade utanf\u00f6r huvudf\u00e5ran. Exempel p\u00e5 grupper som har spelat en stor roll f\u00f6r utvecklingen av sensorisk design \u00e4r ZERO i Tyskland och Gutai<\/a> i Japan, som var som mest inflytelserika p\u00e5 1950-talet.<\/p>\n\n\n\n

Bland Gutais designer finns verk skapade av en konstn\u00e4r som dinglade fr\u00e5n taket och satte f\u00e4rg p\u00e5 en duk p\u00e5 golvet med f\u00f6tterna. \u00c4ven om det ans\u00e5gs bisarrt p\u00e5 den tiden, f\u00f6rklarade gruppens grundare Jiro Yoshihara: \u201dGutai-konsten f\u00f6rvandlar inte, den f\u00f6rfalskar inte materia, Gutai-konsten ger materia liv \u2026 konstverken m\u00e5ste tilltala alla sinnen, hela kroppen, och skapa verkliga sensoriska explosioner.\u201d <\/p>\n\n\n\n

ZERO-gruppen i Tyskland leddes av konstn\u00e4rerna Heinz Mach, Otto Piene och G\u00fcnther Uecker. Enligt en artikel av Shira Wolfe<\/a> i Artland magazine trodde gruppen p\u00e5 att skapa konst som \u201dfokuserade p\u00e5 verkets material och den v\u00e4rld i vilken materialen existerar, med mindre betoning p\u00e5 den roll som spelas av konstn\u00e4rens hand och med fokus p\u00e5 ljus och rymd\u201d.<\/p>\n\n\n\n

Moderna sensoriska arkitekturprojekt<\/h2>\n\n\n\n

\u00c4ven om konstn\u00e4rerna banade v\u00e4gen s\u00e5 har designgrupper p\u00e5 senare tid b\u00f6rjat m\u00f6ta behoven hos de som utnyttjar byggnader \u2013 i synnerhet interi\u00f6rerna \u2013 och d\u00e5 \u00e4ven ta h\u00e4nsyn till funktionshindrade.<\/p>\n\n\n\n

Till exempel startades DeafSpace Project 2005 av den amerikanske arkitekten Hansel Bauman i samarbete med institutionen ASL Deaf Studies vid Gallaudet University<\/a> (GU).<\/p>\n\n\n\n

2010 hade DeafSpace enligt GU skapat \u00f6ver 150 designelement inom arkitektur som bem\u00f6tte vad man kallar de fem huvudsakliga ber\u00f6ringspunkterna mellan d\u00f6vas upplevelser och den byggda milj\u00f6n: utrymme och n\u00e4rhet, sensorisk r\u00e4ckvidd, r\u00f6rlighet och n\u00e4rhet, ljus och f\u00e4rg samt akustik.<\/p>\n\n\n\n

\u201dGemensamt f\u00f6r alla dessa \u00e4r principerna om gemenskap, visuellt spr\u00e5k, fr\u00e4mjande av personlig s\u00e4kerhet och v\u00e4lbefinnande\u201d, till\u00e4gger GU. <\/p>\n\n\n\n

Maggie\u2019s<\/a>, en ideell organisation f\u00f6r cancerv\u00e5rd, anv\u00e4nder ett liknande tillv\u00e4gag\u00e5ngss\u00e4tt n\u00e4r det g\u00e4ller sensoriska upplevelser inom arkitektur. Organisationens anl\u00e4ggningar \u00e4r utformade f\u00f6r att vara k\u00e4nsliga f\u00f6r behoven hos s\u00e5v\u00e4l de som f\u00e5r cancerbehandling som deras n\u00e4ra och k\u00e4ra.<\/p>\n\n\n\n

Organisationens centra \u00e4r designade av namnkunniga arkitekter som Frank Gehry. I Manchester finns ett Maggie\u2019s-center designat av Foster + Partners. Centret best\u00e5r av ett env\u00e5ningshus i naturligt tr\u00e4 som omringar en bred, central ryggrad med ett f\u00f6rh\u00f6jt tak i mitten som bildar en mezzaninv\u00e5ning fylld av naturligt ljus.<\/p>\n\n\n\n

S\u00e5 h\u00e4r skriver Maggie\u2019s p\u00e5 sin webbplats: \u201dEtt inbyggt glashus str\u00e4cker sig fr\u00e5n byggnadens s\u00f6dra del och skapar ett utrymme d\u00e4r m\u00e4nniskor kan samlas och njuta av naturens och utomhusmilj\u00f6ns v\u00e5rdande egenskaper, samtidigt som den interi\u00f6ra paletten kombinerar varmt, naturligt tr\u00e4 och taktila tyger.\u201d<\/p>\n\n\n\n

Hur kommer den sensoriska arkitekturen att regleras?<\/h2>\n\n\n\n

Den sensoriska designen har nu b\u00f6rjat bli m\u00e4rkbar \u00e4ven f\u00f6r de som arbetar med att skapa byggstandarder. F\u00f6rra \u00e5ret tog man i Storbritannien fram PAS 6463 Design for the Mind, som \u00e4r den f\u00f6rsta BSI-standarden som ger v\u00e4gledning kring neurodiversitet och den byggda milj\u00f6n. <\/p>\n\n\n\n

Det \u00e4r viktigt att f\u00f6rst\u00e5 att design \u00e4r till f\u00f6r alla, s\u00e4ger Helen Kane<\/a>, chef f\u00f6r Neuro by Design. Hon s\u00e4ger till RIBA Journal: \u201dVi har l\u00e4rt oss mycket av funktionshindrade. Till exempel uppfanns skrivmaskinen 1808 f\u00f6r en italiensk grevinna som var blind. Ramper har \u00e4ven visat sig anv\u00e4ndbara f\u00f6r leveranser. Att tillgodose behoven hos en bred grupp m\u00e4nniskor hj\u00e4lper alla.\u201d<\/p>\n\n\n\n

\u201dAtt designa f\u00f6r inkludering beh\u00f6ver inte vara st\u00f6rande om man fastst\u00e4ller funktionerna redan i b\u00f6rjan av ett projekt. Ja, att eftermontera ramper kan vara dyrt, men om man t\u00e4nker igenom en byggnad redan fr\u00e5n b\u00f6rjan har man m\u00f6jlighet att f\u00f6rb\u00e4ttra cirkulationen och hj\u00e4lpa oss alla att r\u00f6ra oss snabbare.\u201d<\/p>\n\n\n\n

Fr\u00e4mja h\u00e4lsosammare platser f\u00f6r b\u00e4ttre anv\u00e4ndarresultat<\/h2>\n\n\n\n

N\u00e4r den sensoriska arkitekturen \u00f6kar kommer byggnader i allt h\u00f6gre grad att tillgodose anv\u00e4ndarnas behov p\u00e5 ett s\u00e4tt som man f\u00f6r bara n\u00e5gra generationer sedan skulle ha betraktat som ouppn\u00e5eligt.<\/p>\n\n\n\n

I sin artikel Senses of Place: Architectural Design for the Multisensory Mind diskuterar Charles Spence behovet av att ta h\u00e4nsyn till \u201dhur ett utrymme l\u00e5ter\u201d, likv\u00e4l som hur det ser ut, och att fundera \u00f6ver taktiliteten hos en byggnad och dess interi\u00f6r.<\/p>\n\n\n\n

Han summerar sin forskning med orden: \u201dI slut\u00e4ndan \u00e4r f\u00f6rhoppningen att n\u00e4r den v\u00e4xande medvetenheten om den m\u00e4nskliga perceptionens multisensoriska natur forts\u00e4tter att sprida sig bortom den akademiska gemenskapen kommer de som arbetar inom arkitektur och design att i allt h\u00f6gre grad b\u00f6rja inf\u00f6rliva det multisensoriska perspektivet i sitt arbete.\u201d<\/p>\n\n\n\n

Genom att g\u00f6ra det kommer dessa gemenskaper att \u201dst\u00f6dja utvecklingen av byggnader och stadsomr\u00e5den som \u00e4r b\u00e4ttre p\u00e5 att fr\u00e4mja v\u00e5rt sociala, kognitiva och k\u00e4nslom\u00e4ssiga v\u00e4lbefinnande\u201d.<\/p>\n\n\n\n

Den k\u00e4nsliga balansen mellan klassiskt och modernt inom indisk arkitektur<\/h2>
<\/div><\/div>
Ta en titt<\/a><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Arkitekter har l\u00e4nge efterstr\u00e4vat att designa byggnader som tillgodoser inv\u00e5narnas behov samtidigt som de \u00e4r estetiskt tilltalande. P\u00e5 senare tid har man b\u00f6rjat uppm\u00e4rksamma vikten av att skapa byggda milj\u00f6er som uppfyller inv\u00e5narnas behov p\u00e5 fler \u00e4n ett plan.<\/p>\n","protected":false},"author":634,"featured_media":81537,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[145],"tags":[16722,16742,16732,16716],"class_list":["post-81536","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-innovation","tag-architecture","tag-construction-technology","tag-innovation","tag-technology","category-145","description-off"],"yoast_head":"\nS\u00e5 omdefinierar sensorisk arkitektur den byggda milj\u00f6n<\/title>\n<meta name=\"description\" content=\"Arkitekter har l\u00e4nge tagit h\u00e4nsyn till inv\u00e5narnas behov n\u00e4r de designar. 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